On Black Dog Opera Library/EMI Classics; 2 CD’s; There is no question that this is one of the greatest opera sets of all time. This is Barbirolli’s Butterfly; despite Scotto’s stunning singing and vocal expressiveness and Bergonzi’s elegance, it’s the conductor’s contribution that gives this set its durability and its hold on the affections. The Rome Opera Orchestra is excellent, and the rapport between conductor and orchestra and their mutual affection for Puccini are evident throughout, making this the most Italianate of all readings. It’s hugely enjoyable, not just in the big emotional outpourings (like the Act 2 interlude), but in many tiny moments where you can almost see the conductor and his players lovingly and absorbedly concentrating on subtleties of phrasing and texture. There’s a lot of splendid singing, too. Scotto is in excellent voice, and her portrayal is a touching and finely detailed one. The ever-stylish Bergonzi sings with immaculate phrasing and perfect taste, Panerai is an outstanding Sharpless (beautifully sung, the embodiment of anxious, pitying concern) and di Stasio’s Suzuki is attractively light-voiced and young-sounding. The recording is close, making it ideal for voice lovers. Barbirolli’s set is for those for whom Latin warmth and impulsive open-heartedness are indispensable in this opera. They will find those qualities here, with singing to match, and will be thrilled to have added this glorious set to their collection! This is a marvelous opportunity to obtain this special recording in a book-like package, with a complete libretto and translation, detailed background notes and critical commentary on the opera and the performers, and many illustrations. Perceptive musical analysis is also included!
